Sound Designer

Dr. David Magidson, the director, desired to emphasize the universal stories of in this unique which did not include the traditional water based set. To fulfill this, I chose to use music from around the world including Japan, Eastern Europe & Greece. I used a minimum number of sound effects, chosing to use musical elements or a mixture of music and effects to produce the aural world of the play as well as the emotional world. This was the first show that musical underscoring played a major role in the design. I learned a great deal about how to make the music present and then move behind the performers to become an underscore.